Art & Architecture MCQs for CET Graduate
Practice 20 free Art & Architecture questions under Ancient Period — Indian History.
Strengthen your Art & Architecture knowledge for CET Graduate with curated MCQs. Switch between Hindi and English anytime.
CET Graduate — Ancient Period — Art & Architecture
20 Questions • Instant results & explanations • Hindi & English
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Question 1 of 20
Match List-I (Concept/Feature) with List-II (Associated School/Site) and select the correct answer: List-I A. Tribhanga posture B. Earliest representations of Jain Tirthankaras C. Mason's marks in Kharoshthi script D. Earliest epigraphic evidence of Bhagavata cult List-II 1. Nagari 2. Sanchi 3. Mathura School 4. Amaravati School
Question 2 of 20
Consider the following statements regarding the types of Stupas: 1. Sharirik Stupas are built over the physical relics of Lord Buddha. 2. Paribhogik Stupas are built over objects used by Lord Buddha. Which of the statements given above is/are correct?
Question 3 of 20
The horse-shoe-shaped cliff containing the Ajanta complex is part of which mountain range?
Question 4 of 20
Match List-I (Artistic Centers) with their significance in the Gupta Period (List-II): List-I I. Bharhut II. Amaravati III. Mathura List-II 1. Their distinct artistic trends merged to form a unified national art. 2. They were completely abandoned during the Golden Age. 3. They exclusively produced secular Kushan art during this time. Select the correct answer:
Question 5 of 20
Which of the following temples is NOT an example of the Nagara style of architecture?
Question 6 of 20
Regarding the socio-political structure inferred from Harappan architecture, the distinct absence of defensive weaponry combined with massive fortification walls suggests that:
Question 7 of 20
Given below are two statements, one labeled as Assertion (A) and the other as Reason (R): Assertion (A): The architectural remains of the Harappan culture strongly imply the existence of a sophisticated centralized municipal authority. Reason (R): Harappan cities demonstrated a remarkable standardized uniformity, utilizing identical brick ratios and standardized weights and measures across a vast geographical expanse. Select the correct answer from the codes given below:
Question 8 of 20
Match List-I with List-II regarding Harappan Architectural Design and select the correct answer using the codes given below: List-I A. 10 meters B. Right angles C. Smaller lanes D. Rounded corners List-II i. Orientation of house doors for privacy ii. Maximum width of Mohenjo-daro main avenues iii. Modification to facilitate turning of bullock carts iv. Intersection angle of the primary grid system
Question 9 of 20
Which of the following temples is universally recognized as the prime exemplar of a unique architectural tradition involving a circular sanctum?
Question 10 of 20
Assertion (A): The transition from traditional sandstone to chloritic schist was a critical technical advancement in Vesara architecture. Reason (R): Chloritic schist is extremely hard when freshly quarried, allowing builders to construct taller Vimanas without the risk of collapse. Select the correct answer:
Question 11 of 20
Consider the following statements regarding Mauryan Folk Art and identify the correct ones: 1. Folk art focused on large-scale statues of local deities like Yakshas and Yakshinis. 2. The Didarganj Yakshini is a life-sized chauri-bearer carved from a single piece of sandstone. 3. The Parkham Yaksha from Mathura is known for its delicate and slender features. 4. Mauryan polish was limited to court art and never used on folk sculptures. Select the correct answer using the codes below:
Question 12 of 20
Assertion (A): The aesthetic of 'luscious sensuality' was completely abandoned during the Gupta Golden Age. Reason (R): Gupta artists believed physical beauty could only be depicted if it served as a vessel for inner spiritual peace.
Question 13 of 20
Which of the following sets of ancient monuments located outside the Indian subcontinent vividly demonstrates the far-reaching influence of the 'Classical' standard established by Ajanta and Sarnath?
Question 14 of 20
Consider the following entities mentioned in the context of Mauryan art and architecture: 1. The Bhabru Edict 2. The Circular Temple of Bairat 3. The Golden Casket of relics All of the above archaeological marvels are historically located in which modern state of India?
Question 15 of 20
Match the Temples (List I) with their distinguishing Architectural or Sculptural features (List II). List I A. Dashavatara Temple B. Bhitargaon Temple C. Tigawa Temple D. Bhumara Temple List II 1. Terracotta panels and brick construction 2. Ekamukhalinga and red sandstone 3. First known shikhara over garbhagriha 4. Open mukhamandapa with ghata-pallava pillars Codes:
Question 16 of 20
The development of the anthropomorphic image of the Buddha in the Post-Mauryan era led directly to the 'Golden Age' of Indian sculpture. Which phase is historically referred to as this 'Golden Age'?
Question 17 of 20
How many separate pieces of stone were typically used to carve the entire top assembly (capital, abacus, and animal figure) of an Ashokan pillar?
Question 18 of 20
Given below are two statements, one labeled as Assertion (A) and the other as Reason (R): Assertion (A): The royal palace at Pataliputra during the reign of Chandragupta Maurya was initially constructed of wood. Reason (R): The Gangetic plains possessed abundant forests, making timber the most accessible primary building material for large structures. Select the correct answer:
Question 19 of 20
Which Mauryan architectural innovation represented a radical departure from timber-based structures and served as a direct precursor to the magnificent cave sanctuaries developed centuries later at sites like Ajanta and Ellora?
Question 20 of 20